Publication Day

 

Seeing my little book go out into the world last Thursday felt similar to watching my children go off to school on their first day – I was excited but anxious.

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But just as Leo came out of school grinning from ear to ear back in 2010 my book’s first day went off much better than expected. I have been amazed and so pleased with the reviews it has received so far including

“Dark, intense and gripping beyond belief. I was swept along with this tale of lies and betrayals”
Linda, Books of All Kinds

“An amazing story with a reverie effect I couldn’t break away from”
Laura, Page Turners’ Nook

“Full of surprises, twists and turns and I just couldn’t get through the pages quick enough”
Dee-Cee

“Everything I hoped it would be and more”
Misti Nash

“A perfect psychological thriller”
Like Love Do

IMG_5060Thank you so much to everyone who pre-ordered the book. The winners of the draw were Jane Bwye (£10 Amazon gift card), Awen Thornber (paperback of Lies, Mistakes and Misunderstandings) and Steve Johnson – no relation, I promise! (Prosecco and chocolates)

During publication week I took part in a blogtour to promote the book. I’d never done anything like that before but it was brilliantly organised by Emma Mitchell with a full schedule of Q&A interviews, character posts and excerpts.

I am so grateful to all the bloggers who were involved in the blog tour and everyone else who has helped spread the word about the book by sharing, retweeting etc. I am very lucky to belong to a great community of Crooked Cats whose support has been invaluable.

IMG_0069The online launch party was a lot of fun. Thank you to everyone who took part. Much virtual champagne was consumed and I was thrilled to have these amazing authors contribute book prizes for the competitions. Congratulations to the winners!

Lazy Blood by Ross Greenwood won by Sheila Howes
183 Times a Year by Eva Jordan, won by Awen Thornber
No Safe Home by Tara Lyons, won by Elizabeth Holdak
Walking Wounded Anna Franklin Osborne won by Tara Lyons
A DCI Bennett book by Malcolm Hollingdrake won by Beverley Hopper
Shadows by Conrad Jones, won by Elaine Fryatt.
Surprise book signed by Emma won by Dee Light
Sue Barnard won a copy of The Silence

The paperback will be officially launched next Thursday morning, 22 June at the Ascot Writers Summer Book Event in Sunninghill, Berkshire with real bubbly this time rather than the virtual kind! We’re also celebrating the launch of two other books by local authors – Tessa Harris, author of the Thomas Silkstone series whose book The Sixth Victim (Kensington) is the first in a brand new series of fascinating Victorian crime stories – and Tracy Corbett whose story The Forget Me Not Flower Shop (Harper Collins) is the summer romance novel everyone’s talking about.

DesignThere will be other writers to meet, signed books to buy and a second-hand book sale to raise money for the Grenfell Tower fire victims. Entry is of course free – we’d love to see you there!

The technophobe’s guide to making a book trailer

IMG_5139Hello – a few people have been asking me how I made the book trailer for The Silence.

You can view it here.    https://m.youtube.com/watch?feature=youtu.be&v=7Sv-gwfEFiM

It was my first attempt at anything like this and I know it’s far from brilliant but it was fun to do and ridiculously easy so if you’re thinking of making one and are as much of a technophobe as I am I hope this will help.

I used iMovies because it was already installed on my iPad but there are other free options you can download such as Shotcut if you’re a Windows user. Or you can pay someone to make a trailer for you, which will almost certainly look more professional and has the advantage that it won’t be a recognised template. But whichever you use you need to decide roughly at this stage on the storyline and how you want to illustrate it.

I started by distilling the storyline down into a few short lines of text. I did this by taking the blurb and highlighting the key points and underlining bits I wanted to convey somehow.

I scribbled out a basic story board in a notebook using the key phrases and stick men sketches.

Then I looked for pictures to illustrate those points. It’s worth thinking about the trailer as early as possible so that you can build up a stock of stills and video clips. I made mine all from stills but video clips are great and you can buy these quite cheaply from picture sites if you don’t have your own.

I had some pictures of my own but had to source others. It’s worth bearing in mind that you will need a lot of pictures as the frames move quite quickly so it’s best to collect more than you think you’ll need.

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If you’re short of time or have very specific requirements it’s probably worth paying for images from a picture sites like Shutterstock. You can buy a small package of photos or an individual video clip without having to subscribe. Canva has a wonderful selection of photos for $1 each.

However, I found some great copyright-free images on Pixabay and stocksnap.io which are copyright free.

One word of caution – the only close-up, identifiable pictures I used were of my children. You can’t use identifiable images of people in a way they might find offensive without their permission even if the pictures are copyright free. You might choose to avoid pictures of people altogether to be on the safe side. You don’t have to be too literal with your picture choice. A shot of the sky or a beach or a some cherry blossom might be all you need to convey a mood and there are lots of free silhouette shots.

I collected the pictures in a folder that I named Trailer on my desktop. When I was ready I went on to iMovies. On the first page you’re offered a choice of Movie or Trailer and I selected Trailer, then selected the template I wanted from a range of different genres that come complete with music.

You can watch their sample trailer and then select Create (top right) to create your own.

The instructions are quite easy to follow – you just tap on a picture silhouette on the right hand side and upload your picture or video from your folder and then tap on the text line and write in the text. You can edit it as many times as you like.

When you’re happy you can press the share button at the bottom which will give you options to share the video to Facebook, YouTube etc.

 

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Well this is the closest The Silence will ever get to the big screen but I hope this post was helpful. Please ask if you have any questions and I’ll do my best to get an answer for you. 🙂

The beauty of beta readers

Although writing a novel is a solitary craft, there are usually many more people involved in getting a book to publication. In addition to the editor and publisher there are the often unsung heroes – the beta readers.

Beta readers are trusted volunteers who test-drive the manuscript and give you their honest opinion. Their purpose is to flag up plot holes, character inconsistencies, things that irritated or weren’t properly explained or places where their interest dipped.

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Who should you ask and how many?
It’s good to ask at least three people but probably not more than six or you could find they all give conflicting advice, sending you round in circles.

Obviously there is a risk with asking people you know – it’s quite nerve-racking as a writer to ask people’s opinion of your work and equally pretty scary to be asked to comment as a reader. A novel is a very personal thing and potentially friendships could be broken over it. No writer should ask beta readers for their opinion if they are going to shoot the messenger. But equally there is little point in someone saying the book is fabulous when it isn’t as that won’t help you improve it.

I asked people I knew because they were all avid readers and either involved in writing or could give me their expert opinion on relevant sections. They were also people with strong opinions who knew I could trust to be honest.

But if you don’t want to ask people you know you could post a request in an online book group or offer to swap critiques with another writer. The most important thing is that you pick people who are regular readers, especially of your book’s genre.

No matter how many times you read through your work there are sure to be things that you won’t notice simply because you wrote them. We all have little things that annoy us when we’re reading and some of these are probably unreasonable (The word ‘chuckle’ sets my teeth on edge when used outside of a children’s story or a pantomime) but others might make you rethink how you phrase things. I will try to never again use the word ‘like’ when I mean ‘as though’! It was also helpful to have a friend with a Modern Languages degree point out that the meaning of an Italian word wasn’t obvious without some explanation.

IMG_5127What they need from you

Beta readers will need clear instructions about what sort of feedback you want and how it should be presented. I wanted mine to give examples where possible – “I didn’t really warm to this character” is helpful but it would be so much more useful to know why – the character’s lack of reaction to the crisis on p16, their attitude to their wife on p24 or the way they spoke to the police on p54.

I drew up a list of questions I wanted my readers to bear in mind when reading – these were about the main characters, the ending and a couple of key scenes.

It’s only fair to ask how readers would prefer to receive the manuscript as they are giving up their time to help. I printed off a hard copy and gave it to my first reader with some coloured post-it notes. I then printed off a second copy and gave it to my second reader with different coloured post-its. One of these was then passed to the third reader with a different coloured set of post-its. They each scrawled their comments on the page and marked it with a post-it and I then copied all of these comments into a file.

The other readers were happy to read the novel in a Word document. One of these gave me an extremely detailed handwritten list with page number references, the others preferred to go over the changes face to face or on the phone.

One thing I would recommend is to not make any changes until you have everyone’s feedback. Otherwise the pages and line numbers will change and it can be hard to find the points people are referring to.

The other thing I found is that it all takes time! Readers have other things going on in their lives. They might fall ill, go on holiday or be busy at work. You’ll need to agree a time limit and build in a bit of leeway.

Dealing with criticism
You might not agree with the advice offered and you don’t have to take it. You might also find that readers give conflicting advice but if the same point is raised by several people it must be worth thinking about. And the way I look at it, any criticism, however hard to hear, is worth having if it helps you improve the book.

I’d love to hear about your experience as a writer or a beta reader.

And to my beta readers I just want to say an enormous thank you – I couldn’t have done it without you!

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History People #10: Katharine Johnson, Inspired by Italy

Today I was lucky enough to be invited onto Vanessa Couchman’s blog to talk about my work in progress which is set in the same Tuscan villa as The Silence

Vanessa Couchman

Author Katharine Johnson

Today, I’m delighted to welcome Katharine Johnson to the History People slot. Lucky Katharine has lived in Italy, which has provided inspiration for her writing and she’s supplied some mouth-watering shots of Italian views and villages below. But I’ll let her tell you about that.

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